MANIFEST:IO LDN 2025

Program

JOIN US FOR THE FIRST EDITION OF MANIFEST:IO, THE SYMPOSIUM FOR NEW MEDIA AND ELECTRONIC ART, IN LONDON
OVERVIEW

Schedule

A full weekend of workshops, talks, performances, and an exhibition hosting works from interactive installations to spatial sound experiences. Below is a brief overview of what to expect at MANIFEST:IO 2025

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APR 11

APR 12

17hr: Exhibition opens
18hr: TouchDesigner Roundtable - Patrick Hartono
19hr: TouchDesigner Roundtable - Florence To
20hr: Structures AV performance - Pauric Freeman
20:30hr: Open Play with MakeAmplify
22hr: End of Day 1
10 - 13hr: Workshop, Audiovisual Composition with TouchDesigner and Ableton with Pauric Freeman
14hr: Exhibition opens, talks begin
17hr: Performances begin
22hr: End of Day 2

APR 11

17hr: Exhibition opens
18hr:
TouchDesigner Roundtable - Patrick Hartono
19hr: 
TouchDesigner Roundtable - Florence To
20hr:
Structures AV performance - Pauric Freeman
20:30hr: 
Open Play with MakeAmplify
22hr: 
End of Day 1

APR 12

10 - 13hr: Workshop, Audiovisual Composition with TouchDesigner and Ableton with Pauric Freeman
14hr: 
Exhibition opens, talks begin
17hr:
Performances begin
22hr: 
End of Day 2

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TouchDesigner Workshop with artist Pauric Freeman

Join this intermediate-level TouchDesigner workshop where you will learn how to connect TouchDesigner together with Ableton to create striking audiovisual compositions.

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G05 and church hall

Talks Schedule

Talks from artists, designers, researchers, from across the UK. From topics of hacktivism to embodiment, and between DIY technologies to XR tools, listen and engage with new perspectives and applications of new media and electronic art.

Events on the first night are part of the TouchDesigner Roundtable, hosted in collaboration with The NODE Institute.

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APR 11 - TouchDesigner Roundtable

5:00 PM      Exhibition Opens / doors open for touchdesigner roundtable

6:00 pm

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Patrick Hartono

Patrick Hartono is an electroacoustic composer, audiovisual artist, researcher, and currently a Lecturer in Computational Arts at Goldsmiths, University of London. In this Roundtable, Patrick will be sharing his recent research project on neural network-driven parametric control for generative visual systems, where AI functions not as an image generator but as a real-time controller of procedural visuals. Using TouchDesigner with a custom machine learning model trained on motion capture data from Lengger dancer Rianto, the system interprets the movement data and maps it to the generative process, creating a fluid, dynamic visual representation of the dance’s expressive motion. Lengger, a traditional Indonesian dance, is known for its fluid representation of gender, where male dancers embody feminine roles while imagining an intangible, non-binary presence within the performance. This research seeks to translate this concept into a dynamic generative visual system that visually reflects the fluidity and expressiveness of the dance.

7:00 pm

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Florence To

Florence To is a Scottish-born artist and director with Hong Kong roots, specialising in acoustic scenographies and audiovisual installations that interrogate architectural spatial design. Trained in textiles and tailoring, To merges these disciplines with digital technologies to reimagine abandoned spaces, utilising their inherent flaws. Their practice explores cognitive and emotional triggers, sensory perception, and the interaction of frequencies as vibrations, psychoacoustics, and phonetics. Currently pursuing a research master’s at Goldsmiths’ Centre for Research Architecture, To’s work examines bird migration, grey zone warfare, and electromagnetic frequency (EMF) disruptions, focusing on their intersections with ecological and geopolitical displacement. This research critically informs their artistic practice, challenging boundaries between scientific and creative domains. To has worked with the Photonics group at the International Iberian Nanotechnology Laboratory in Portugal, investigating light detection and wavelength propagation, and has been commissioned by international institutions such as Mass MoCA in Massachusetts and EMPAC (Experimental Media and Performing Arts Center) in New York.

8:00 pm

Structures (Live AV)

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Pauric Freeman

Pauric Freeman is an Irish artist whose practice explores sound, technology, and perceptual experience through audiovisual performance and installation. Focusing on the intricate relationships between sound and image, he programs visual systems that experiment with new forms of audiovisual expression, recontextualizing how audiences experience sound in both live and installation contexts. By merging art and technology, his work offers fresh perspectives in audiovisual composition. Recognized for its unique approach to visualizing sound, Pauric’s work has been exhibited and performed in a wide range of venues and festivals across Ireland as well as in Europe, North America, and Australia. He has collaborated with a diverse range of artists, and his work continues to investigate how technology, sound, and moving images can engage with new experiences in contemporary media art.Structures is an audiovisual performance that explores the interplay between sound and image. Composed for modular synthesizer, drum machine, and a custom-built generative system, the work uses data from the synthesizers as material to understand the music composition. Drawing on influences from early computer graphics and generative art, the performance maps information like pitch, rhythm, and amplitude, to parameters within the visual composition. Each track examines a different approach to this mapping, exploring multiple structures between sound and image.

8:30 pm

Open Play: Designing Accessible and Interactive Experiences

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MakeAmplify

Come join MakeAmplify as they projection map onto the interior dome of the beautiful St. James. Hatcham Church.

MakeAmplify is an award-winning collective of artists and technologists working with artistic directors Jennifer Irons and Zach Walker.

Working together with a wide range of people around the world they create interactive live performances, large-scale, site-specific installations and films. Using art, movement and technology they reveal the hidden, ignored, discarded and forgotten.

Zach Walker, co-founder of Make Amplify, is an award-winning artist and technologist whose creative practice focuses on blending cutting-edge technology with immersive storytelling. His work explores the intersection of light, sound, and interactivity, crafting multisensory experiences that captivate and engage diverse audiences. Through projects like Touch & Glow, Zach emphasises inclusivity, accessibility, and the power of collaborative creation, continuously pushing the boundaries of participatory art.

Chris Hunt, founder of Controlled Frenzy, is a technologist and creative coder specialising in interactive systems and real-time visual generation. His work integrates advanced digital tools with dynamic, user-driven environments, enabling audiences to shape their experiences in real time. Chris’s practice is rooted in innovation, combining technical expertise with artistic vision to create seamless, engaging installations that resonate with participants.

Together, Zach and Chris bring a unique fusion of creativity and technological expertise to redefine immersive art.

APR 12

2:00 PM     exhibition opens

2:15 pm

Technologies of Touch

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Atau Tanaka

Technologies of Touch is a collaboration between Atau Tanaka at Goldsmiths London, and Berit Greinke and Ariane Jessulat at UdK Berlin. It is a research project that: 1) Look at the histories, cultures, and ethics of touch; 2) Develop body technologies using physiological sensing; and 3) Create garments using electronic textiles to facilitate interpersonal touch in live performance situations. It is supported by the AHRC-DFG joint programme, 2025-28.

2:45 pm

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Ambient Gaza

Ambient Gaza is ambient music and an online geo mapping resource to preserve soundscapes and memories from Gaza pre-destruction. To be listened to as an act of hope/resistance, and to raise funds to go directly to chosen NGOs aiding Palestine on an ongoing basis. Ambient Gaza Collective will go through the project, its goals, censorship, artistic insights and what actions people can take to help, as the project works towards being featured in this year's Glastonbury Festival.

3:30 pm

Acts of Poetic Embodimen

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Diana Alina Serbanescu

In her talk, Diana Alina Serbanescu will present excerpts from her artistic practice—a quest for poetic embodiment through dance-theatre and innovative technological artefacts. She explores techniques developed over the years, shaped by community engagement and feminist approaches to knowledge creation. Each work builds on the last through chance discoveries and emerging pathways, contributing to an ever-evolving practice. Her work imagines radical spaces of resistance, merging ancestral practices with future-facing tools and explorations of embodiment in latent spaces.

4:30 pm

Introducing Hackoustic

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Tom Fox

Immersive stages

Performance Schedule

Two stages hosting artists from across the UK with performances that blend the ritual with the audiovisual, and expansive media with critical themes.

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Performances are made possible thanks to the support of:

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APR 12

STARTING 5:00 PM - st. james' hatcham church

Missing Music

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Suren Seneviratne's conceptual project Missing Music documents obsolete music software designed for Macintosh computers during the 1990s and 2000s. The files have been meticulously sourced over years of trawling forums, mailing lists, demo CDs, repositories and FTP servers. The project not only focuses on the sonic aesthetic of computer music history from 30 years ago but also showcases the visual language from that time which is markedly different from music making today.

Florence To

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Florence To (b. 1985) is a Scottish-born artist and director with Hong Kong roots, known  for creating immersive audiovisual installations and acoustic scenographies. Combining  a background in textiles and tailoring with digital technologies, To transforms  architectural spaces into sensory experiences that explore cognitive and emotional  triggers. Their practice incorporates psychoacoustics, phonetics, and visual ecology,  emphasising the importance of listening as a tool for connection. 

To’s latest project, TYRYX, is a series of self-released EPs exploring ecological  displacement, structural instability, and interdisciplinary knowledge production. The  first EP, DYSPRAXYS, takes its name from dyspraxia, a sensory disorder that has shaped  To’s creative process. It features self-built motorised instruments, modular synthesis,  and field recordings from Argentina’s wetlands, the Andes, and avian sounds, offering a  layered reflection on environmental fragility and impermanence. 

To has collaborated with institutions such as Berliner Festspiele, STRP Eindhoven, Mass  MoCA, and EMPAC (Experimental Media and Performing Arts Center), and has  undertaken research with the Photonics group at the International Iberian  Nanotechnology Laboratory in Braga. They are currently pursuing postgraduate studies  at Goldsmiths University’s Centre for Research Architecture, integrating artistic practice  with critical exploration. 

https://tyryx.bandcamp.com/album/dyspraxys

Howlround

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Howlround creates music entirely from manipulating magnetic tape on vintage reel to reel machines with all digital effects and artificial reverb strictly forbidden. Twelve years and ten albums later, the approach has remained the same, but increasingly embraced feedback and closed input techniques, with the sound evolving from glacial post-hauntological ambience to blistering noise and primitive techno, a process that Electronic Sound magazine recently described as ‘Conjuring magic’. New LP ‘A Loop Where Time Becomes’ is out now on Castles In Space.

ILĀ

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A multifaceted artist, producer, vocalist & co-founder of legendary choirs, London Contemporary Voices & Trans Voices, ILĀ's work utilises quantum & AI hybrid techniques - her upcoming film murmur is a collaboration with robot artist Ai-Da, Imogen Heap, Reeps One & Guy Sigsworth. ILĀ has performed globally with recent commissions/collaborators including Turner Prize 2023 winner Jesse Darling’s MISERERE, Loomaland's Robot Swans, Kindred VR, the European Space Agency, Kent Refugee Action Network (Little Amal), MOTH (Puzzle X, Barcelone, Silencio, Paris) & Harvard University, Boston .

ILĀ's work traverses ethereal non-binary vocal timbre, dense sonic textures and quantum data sonification. Their work explores fluidity from personal identity through to socio-economic systems with a focus on physics, philosophy and emerging technologies.

HAAR x ARNA BETH

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HAAR is an untamed (Farsi translation) thick fog (Gaelic translation).A reflection of and reaction to its environment. through human embodiment it tunes into sonic land grief and folk mythology in a time of mass genocide. Heavy drone based, HAAR explores extended vocal technique and field recording hauntology. Arna Beth (b.1997) is an Icelandic/American multidisciplinary artist and filmmaker. She operates predominantly within digital mediums, engaging in themes of transhumanism, body-politics and anti-facism, speculative ecologies and the sublime.

CHASM: A deep rift, a tear, a separation in the earth. This 360 audiovisual performance blends physical elemental water with digital elemental landscapes. Using contact mics on water vessels alongside analogue synth and electric cello.

TICKETS AVAILABLE NOW
st. james hatcham church

Exhibition

Interactive installations, audiovisual sculptures, projection mapping works. A MANIFEST:IO obsessed with the visual.

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Technical equipment and support provided by:

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